FDCP Channel

MEDIA STREAMING PLATFORM
PROBLEM
  • As cinema houses face uncertain futures, how can home entertainment platforms simulate the communal experience of watching movies and TV shows, bridging the gap between the at-home experience and the traditional theater environment?

  • In an age where streaming platforms have gained prominence, how can they capture the same level of excitement and engagement as film festivals, thus keeping the film community alive and active?

  • Streaming platform users spend, on average, 18 minutes on a given day deciding what to watch and twice as much as cable television viewers - Average subscribers spend around 60 - 90 seconds scanning what to watch before giving up and reviewing roughly 10 to 20 titles.
WHY DOES THIS HAPPEN?

Lack of Live Experience
Film:
festivals offer a live and in-person experience where attendees can interact with filmmakers, actors, and fellow enthusiasts. Streaming platforms, while convenient, lack this in-person aspect, which often creates a unique and exciting atmosphere.

Absence of Social Interaction:
Going to the cinema is a social activity. People enjoy watching films with friends and family, discussing movies afterward, and sharing reactions in real-time. Home entertainment platforms typically lack this level of social interaction.


Content Discovery:
Many users find it difficult to discover new content because algorithms and user interfaces may not effectively recommend titles based on their interests. In some cases, users might not even be aware of the full range of available content.


Uncertainty of Choices:
Streaming platforms typically offer a vast library of content, and the sheer number of options can be overwhelming for users. This abundance can lead to decision paralysis as users struggle to choose from a wide range of movies and TV shows.

The paradox of choice is an observation that having many options to choose from, rather than making people happy and ensuring they get what they want, can cause them stress and problematize decision-making. 



Barry Schwartz, The Paradox of Choice: Why More is Less
GOALS & OBJECTIVE
Recreate Cinematic Experience
Provide users with the immersive feel of a traditional cinema visit, by offering live streaming of original content that mirrors the excitement and anticipation of buying a cinema ticket, all within the comfort of their homes. This goal includes ensuring exceptional audiovisual quality, exclusive premiere events, and community interactions that enhance the thrill of movie-watching.
Personalization
Develop robust recommendation algorithms and user profiles to deliver personalized content suggestions, making it easier for users to discover new favorites
Social Engagement
Foster a sense of community and interaction among users through features like virtual live parties, discussion forums, and social sharing
Content Curation
Create thematic playlists and collections to simplify content discovery and help users find what they want more easily.
TARGET USERS

Cinema Enthusiasts:
People who love the traditional cinematic experience but seek the convenience of streaming

Festival-Goers:
Those who enjoy attending film festivals and want to access festival-like experiences at home

Social Viewers:
People who value the social aspect of movie-watching experience at home

Community Seekers:
People who want to be part of a film community, engage in discussions, and share their love for cinema

Design Process
1. Research 🔬
  • Desk Research
  • User Interviews
  • Survey
  • Competitive Analysis
2. Define 🤔
  • User Persona
  • Problem Statement
  • Empathy Map
  • Journey Map
3. Ideate 🙇
  • Task Flows
  • Sitemap
  • Lo-fi Wireframes
4. Prototype 🎨
  • High-fidelity Designs
  • Design System
  • Usability Test
Discovery Research
CONDUCTING THE STUDY

In the discovery research phase, the project begins by establishing clear objectives. I conducted audience analysis through surveys and interviews to gain insights into user preferences. Concurrently, an examination of existing streaming platforms identifies their respective strengths and weaknesses.

REDEFINING THE PROBLEM

Subscribers should experience the same level of excitement and anticipation when watching movies or TV shows on our platform as they do when going to the cinema.

  • How might we ensure that users get to communicate with their friends about what is trending and what shows that are coming soon?
  • How might we make the users feel they are exclusive and part of the film community?
  • How might we make sure we are giving the users the same experience as the cinemas/theaters?
  • How might we expand our social capabilities?
  • How might we ensure that subscribers eagerly look forward to each content viewing session on our platform, much like the anticipation of a cinema visit?

Subscribers should experience social interaction and foster a community ambiance, which can be achieved through features such as virtual live gatherings, discussion boards, and social content sharing.

  • How might we encourage subscribers to actively participate in virtual live gatherings to create a stronger sense of community on our platform?
  • How might we facilitate meaningful discussions and information exchange through the use of discussion boards, thereby fostering a vibrant user community?
  • How might we continuously innovate and adapt our social interaction features to meet the evolving needs and preferences of our user community?

Subscribers need to make the right choice quickly since they have limited time to browse through options

  • How might we reduce the time spent searching for the content?
  • How might we ensure that users will pick the right content when they decide to watch something?
  • How might we ensure users stay longer on the platform?
QUANTITATIVE RESEARCH

The initial research method used was surveys, primarily to gather insights from a broad audience. After analyzing the survey data, we followed up with in-depth interviews (IDIs) to delve deeper into the insights obtained.

Surveys help us learn what customers like and don't like, allowing us to decide which features to include in our basic product. This also assists in figuring out how much impact each feature has compared to the effort required.

The survey results also provide insights into how users interact with competitors, aiding in our efforts to enhance our approach and determine the best way to progress.

The total number of survey participants: 336

The survey was generated using Google Forms, and our initial goal was to collect 300 responses. However, we managed to obtain an additional 36 responses, reaching a total of 336.

The survey was shared across several platforms, including various Facebook groups, Discord channels, and Telegram groups and communities. These online communities primarily consist of movie and TV show enthusiasts, each having a minimum of 50 members and featuring at least 5 recent posts in the last week.

To prevent sampling bias, the survey was disseminated and data was collected from a range of platforms, channels, and socio-economic groups.

Link to the questionnaire is upon request
Survey Insights

The majority of respondents watch content on a frequent basis, with the second largest group watching daily. This suggests that a significant portion of our survey participants are avid movie enthusiasts, which aligns with the focus of our research on individuals who have a strong interest in movies.

Q: How often do you watch movies or TV shoes on streaming platforms?
Q: What genres of movies or TV shows do you enjoy the most?
Q: Which age group do you fall in
Q: How much do you earn in a month?
Q: Currently, how much are you spending on a media streaming platform (Ex: Netflix, Disney Plus, HBO Go, Hulu, etc..)
🤔

Regardless of the socio-economic status, they all lean towards to the cheaper segment
Q: How many streaming platforms are you currently subscribed right now?
Q: Which streaming platform are you currently subscribed right now?
🤔

Most participants have 1-2 platforms and a huge number of them are Netflix subscribers
Q: Why did you choose that streaming platform?
I segmented and separated the survey responses that chose Netflix and had these answers
Q: Were you satisfied or unsatisfied with your current streaming platform:
Based on responses there were also differences on which streaming platform they are using based on their age (Only gathered the top 3 platforms)
Baby Boomers
0%
Gen X
Millennials
Gen Z
Silent Generation
1%
13%
39%
21%
26%
5%
22%
31%
42%
0%
27%
26%
30%
17%
👉 Netflix subscribers are mostly Gen X

👉 Disney Plus subscribers are mostly Gen Z

👉 Amazon Prime subscribers numbers are identical with Baby Boomers, Gen Z, and Millennials.

People choose movies based on a mix of factors: The influence of popular platforms like IMDB and social media (44% and 51% respectively), the convenience of Google searches (32%), the trust in recommendations from family and friends (58%), and suggestions from streaming services (42%). Additionally, many individuals maintain their own lists of movies they want to watch (38%).

Insights into viewers' choices reveal the impact of social trends, personal preferences, and trusted recommendations on movie and TV show consumption:

Checking Ratings (IMDb/Rotten Tomatoes) - 31%:
This indicates that roughly one-third of respondents rely on ratings from platforms like IMDb or Rotten Tomatoes to gauge the quality or popularity of a movie or TV show before watching it. Ratings can serve as a quick indicator of whether a film or show is worth investing time in.

Checking Cast/Genre - 48%:
Nearly half of the respondents prioritize checking the cast and genre of the movie or TV show. This suggests that familiarity with the actors involved and the genre of the content plays a significant role in their decision-making process. Certain actors or genres may appeal more to individuals based on personal preferences.

Asking Family/Friends - 59%:
More than half of the respondents rely on recommendations from family and friends when deciding what to watch. This highlights the importance of social networks and personal recommendations in influencing viewing choices. People often trust the opinions of those they know and share similar tastes with.

Trending on Social Media - 60%:
A majority of respondents pay attention to what's trending on social media platforms. Social media has become a powerful tool for discovering new content and staying informed about popular releases. Trends on platforms like Twitter, Facebook, or TikTok can influence viewing decisions and create buzz around certain movies or TV shows.

Watching Trailer - 49%:
Nearly half of the respondents prefer to watch trailers before deciding whether to watch a movie or TV show. Trailers provide a glimpse into the storyline, visual style, and tone of the content, helping viewers assess whether it aligns with their interests and preferences.

Navigating Content Discovery Challenges on Streaming Platforms:

  • Rewatch movies (31%): This suggests that a portion of users are willing to rewatch movies they've already seen if they can't find anything new that interests them. This could indicate a preference for familiarity or comfort in known content.
  • Continue to look for a movie/TV show (51%): This group seems more determined to find something to watch and are willing to spend more time searching within the platform for content that appeals to them. They may have specific preferences or criteria that they're looking for in their entertainment choices.
  • Choose a random movie/TV show (45%): Some users are open to taking chances and selecting content at random, perhaps as a way to discover something new or simply to pass the time without investing too much effort into decision-making.
  • Leave the platform (81%): This is the most common response, indicating that a significant number of users have a low tolerance for not finding content that interests them quickly. They may prefer to seek entertainment elsewhere rather than spend more time searching on the current platform.
Summary of survey insights

Main driver for choosing their streaming platform is consistent good content and recommendations from their friends and family

Users will leave the platform if they cannot find any good movies/TV shows to watch

Users will have their own list of movies/TV shows to watch but it will be dependent on the ratings and reviews before they completely continue watching.

Trending on Social Media is a driver for interest but still be dependent on ratings and reviews

QUALITATIVE RESEARCH

To probe on some of the information gathered from the survey responses, I continue and conducted IDI (in-depth interviews) to gain a deeper understanding on experiences, desires, and pain points of our target users.

  • Understand users’ goals when using and choosing a streaming platform
  • Understand users’ behavior online and offline when watching movies/TV shows
  • Understand users’ needs when using a streaming platform
  • Understand users’ pain point and frustrations when using and choosing a streaming platform
  • Understand users’ motivation on expanding their movie experience socially
  • Get their feature wishlist on their current subscribed streaming platform
  • Get insights on how users’ form their personal film library
DIRECT QUOTATIONS FROM THE INTERVIEW
"If I see something is trending, I’ll go straight to YouTube to watch the trailer and read reviews in the comments section. If the comments are more positive, I’ll immediately watch it"
"My friends and family usually recommend me some shows to watch. When they recommend something it’s like 99% I’ll love that show"
"I know what I want and just browse the list and watch its teaser, If I see something that is interesting, I’ll just go and watch it"
"Getting to have someone watch with me would be fun especially if it’s a horror"
"It would be helpful if there’s a community where I can talk to regarding the films that I watch or something similar to Spotify where I can share my playlist and people will follow and like or dislike it"
INTERVIEW INSIGHTS
  • Participants wanted to have an in-app rating and reviews and show/share to either from their friends or which ever person following them
  • Movie recommendations are based on data and based on who they follow (friends/family/influencers)
  • Participants check reviews on the YouTube likes and comments section, IMDB, and/or Rotten Tomatoes, and Social Media (Twitter/TikTok)
  • Participants wanted to have free content (similar to YouTube) and view list of films before continuing and subscribing to the platform
  • They wanted to have an in-app watch party where they could interact with their friends
EMPATHY MAP
What they see 👀:
They check other streaming platforms if they cannot find films they are watching

Too many films but most of them does not fit their interest
What they say 👄:
They wasted too much time on search content that they would like

They’ll check social media and other review-aggregation websites for movie/TV show
What they hear 😲:
They need to subscribe to other streaming platforms since some of the movies/TV shows that are being recommended to them are not in the same app
What they think 🤔:
They are sometimes skeptical of reviews from the internet and rely more on what their family and friends think
Discovery Research

After gathering research findings, I continued analyzing the data and get patterns of different types of users which led me to create personas that resonated with the users’ needs, goals, frustrations, and motivations.

USER PERSONAS

After gathering research findings, I continued analyzing the data and get patterns of different types of users which led me to create personas that resonated with the users’ needs, goals, frustrations, and motivations.

Gathered 4 personas based on survey responses and interview results
Primary persona accounting 41% of respondents

Ray would describe himself as a chill person. He gives his best at work, but when it comes to winding down for the day, he goes straight to his comfortable bed, open his laptop, and watch anything that would spark his interest - he doesn’t take too much time thinking of what movie he would want to watch.

Secondary Persona accounting for 31% of responses

Adele is a trend follower and the glue that holds her friends together. Whenever she sees something new to do, she always messages and shares it to their group chat.

Tertiary Persona accounting for 25% of responses

The quintessential indie girl who loves watching film, critic them, and shares them to their friends. She has a Twitter account where she gives feedback on what’s she’s watching.

Quaternary Persona accounting 3% of respondents

Jena loves to watch every Chris Evans film. She always gets notified when there is something new or if there are any updates with Chris Evans. She is also the admin of a fan group in the Philippines.

Visual Design
LANDING PAGE
Version 1 of the landing page, where the spotlight is on the latest movies and TV shows, tailored to current trends.
This screen is emphasizing the most recent and trending movies and TV show releases. As it is the logged-out version, personalization features are unavailable, but it primarily highlights the current and accessible shows to watch. Additionally, there is a "Behind the Scenes" section illustrating the benefits of purchasing a subscription plan.Subscription plan pricing options vary. For those who may find monthly payments challenging or prefer to watch specific films within a day, there is an option to purchase a PHP99 pass.
Emotionally Aligned Entertainment: Choosing What to Watch Based on How You Feel
When confronted with the challenge of selecting a movie or TV show to watch, we often find ourselves grappling with indecision. In such moments, it's beneficial to tune into our emotions and choose our viewing material accordingly. For instance, if we're seeking an uplifting experience to boost our spirits, we can explore genres or categories that evoke positive feelings. By aligning our viewing choices with our emotional needs, we can enhance our enjoyment and make the most of our entertainment experience.
CINEMATHEQUE
These screens are displayed to users upon accessing various festival schedules. FDCP Channel also offers what we refer to as "Cinematheque," where we curate different festival screenings exclusively available for live viewing, mirroring the experience of watching films in theaters, where some movies are only shown once.
FESTIVAL PAGE
Festival Schedule Exploration with Geolocation
Similar to the cinematheque screens mentioned earlier, users can easily check the schedules of different films available for viewing. Additionally, the platform includes geolocation features, ensuring access is limited to specific areas in the Philippines where the service is offered.
COMMUNITY
This feature is designed for users who provide reviews for individual films or the festival as a whole. Given that many individuals depend on peer reviews when deciding whether to watch a movie or TV show, this functionality serves as a valuable resource for informed viewing decisions.
Certain design decisions, processes, and screens are not publicly accessible. If you're interested in reviewing the complete case study, please feel free to reach out to me via email
Ian Alcantara
2024